Water transcends into culture and nature as a memory of water governance, weaving itself into the fabric of human society through a perpetual hydrosocial cycle. This cycle stems from water’s unique ability to "record and track demographic time," reflecting the passage of time in living human cells, non-living natural systems, and social relationships alike. The concept of hydrosocial governance refers to how societies manage and interact with water, transforming these interactions into a shared social memory. This memory, shaped by collective human experiences with water, manifests across political systems, ideologies, religious beliefs, and philosophical thought, tracing its roots back to the origins of human culture.
PneaOptics is a visualization of breath using icing techniques to observe water in the exhalation. It blends science and art, where the invisible becomes a visual art piece.
At its core, PneaOptics relies on the interplay between temperature and water vapor. When people exhale, their breath carries warm, moist air—laden with water vapor—into the world. Upon meeting a chilled surface or environment, this vapor rapidly cools, condensing from an intangible gas into tiny droplets or delicate ice crystals under the right conditions. These "icing techniques" freeze the breath’s essence into frost, forming intricate, branching patterns that mirror human respiration. Each exhalation, unique in its force and moisture, crafts a crystalline signature—a snapshot of life’s most elemental act. The frost might bloom like miniature ferns or scatter like stars across a frozen plane, each shape a testament to the water once held in somebody's lungs. This is no static display; it’s a dynamic dance of matter, where warmth meets chill, and the ephemeral takes form, if only for a moment.
Yet, PneaOptics is more than a curiosity—it’s a meditation on existence. Breath, the quiet engine of life, is often unseen and unnoticed until it slips away. Here, it is captured, suspended in frost, a fragile echo of the spirit made tangible. Like a snowflake destined to melt, each visualized breath speaks of transience—beautiful, fleeting, and irreplicable. To gaze upon it is to witness the poetry of being: the body’s warmth clashing with the cold, crafting art from the ordinary, and revealing the hidden splendor in every sigh.
In PneaOptics, science and poetry entwine. It is a lens through which the unseen becomes seen, a bridge between the measurable and the mystical. By freezing breath into view, it invites pause, marvel at the delicate interplay of elements, and find awe in the simple, vital act of breathing—a reminder that even the most everyday phenomena shimmer with quiet, breathtaking beauty.
April, 2025
Drawing with one of the most polluted waters in the United States on soft pastel board
Drawing with mercury-soaked N.J. creek water on Arches paper, water test strip, H 16” W 24” (Detail)
Drawing GE plant residues, PCBs, and arsenic on filter paper. H 20” W 25”
Drawing with water residues after rain, PCBs, mercury, and arsenic. PCBs test tube, H 14” W 10”
H35” W24”, Lead oxide, lead nitrate, and lead dioxide on canvas.
Hudson falls water with PCBs and mercury. Digital photography, Size variable.
Hudson falls water with PCBs and mercury. Digital photography, Size variable.
Tap water with Arsenic 20 ng/L, and Mercury 10 ng/L
Hudson falls water with PCBs and mercury. Digital photography, Size variable.
Model of CWA with tap water in small glass inside and water from Hudson River in the big glass. Size H23” W10” D10” Glass, wood, polluted water.
Two half glasses, one with lead polluted water and one with clean healthy water. The water in NJ is still on half of the way to be clean of lead.
This model of 350ml drinking water bottle has the shape of the GE capacitor produced for 40 years in the Hudson Falls GE factory which waste destroyed Hudson River ecosystem for generations. The water in the bottle is tap water from Hudson Falls with 10 cancerogenic contaminants. The filled bottles will be send as award to GE Board of Directors.